Yes, a Behringer PMP2000D Bluetooth connection takes one RCA pair. The 2-TRACK/LINE IN jacks on channels 13/14 accept a stereo feed from a Bluetooth receiver without touching the mic channels, and the +48 V phantom switch does not reach those RCA jacks. The mixer pairs its optional ULM wireless mics over a dedicated USB dongle, not Bluetooth, so phone streaming still arrives through your receiver.
Figures on this page were checked October 2026. Every table row carries its source.
Spec snapshot
| Item | Value | Notes | Source |
|---|---|---|---|
| Channels | 14 | Mono 1-6, stereo 7/8 to 11/12, 2-track RCA 13/14 | QSG |
| Mic inputs | 9 × XLR | Electronically balanced, channels 1-12, PAD -25 dB on 1-6 | QSG |
| Hi-Z/line inputs | 4 × ¼" TRS | Channels 1-4, 1.8 MΩ balanced for guitars | QSG |
| 2-track RCA in | 2 × RCA | Channels 13/14, unbalanced, outside the phantom scope | QSG |
| 2-track RCA out | 2 × RCA | Main mix out at +9 dBu max, the feed-out point | QSG |
| Phantom power | +48 V | Switchable across channels 1-12 XLR only | QSG |
| Power amp | 1000 W/ch @ 4 Ω | 500 W per channel at 8 ohms, 2000 W bridged at 8 ohms | QSG |
| Amp modes | Main / monitor / bridge | POWER AMP switch; bridge uses OUTPUT B pins 1+/2+ only | QSG |
| DSP and EQ | Klark Teknik multi-FX | 9-band graphic EQ, low cut 100 Hz, TAP tempo, footswitch jack | QSG |
| Weight / size | 9.0 kg | 276 × 455 × 250 mm (H × W × D) | QSG |
Source code: QSG = EUROPOWER PMP2000D Quick Start Guide (the official manual for this line, accessed 2026-10-02).
Where to connect
2-TRACK/LINE IN RCA (channels 13/14)
RecommendedThe manual describes these RCA jacks as the input for external stereo signals from a CD player or tape deck, which is exactly the profile of a Bluetooth receiver feed. The pair owns its own stereo channel, the gain range runs down to minus infinity, and the +48 V phantom switch has no reach here.
AUX IN 1/8 inch TRS
Good alternativeA small front-panel stereo input with its own level knob, rated for external devices. Handy for a compact receiver with a mini plug, though the RCA path holds cables more securely on a busy floor.
XLR mic jacks with phantom on
Mind the scopeThe +48 V switch covers the XLR jacks of channels 1 to 12, and the manual ties it to condenser microphone operation. Line-level wireless gear belongs on the RCA or TRS inputs, which sit outside that circuit.
Set up in three steps
- Pick the input
RCA jacks on channels 13/14 for the receiver, AUX IN for a mini-plug source. Set the channel gain low before anything plays.
- Connect and power
Speakers on the twist-lock outputs, mics on the combo channels, phantom on only if a condenser needs it, then mains. The POWER AMP switch decides main, monitor or bridged duty.
- Level check
Bring the 13/14 gain up with music playing, watch the CLIP LED so it only flashes on peaks, then raise the main level. The LIM LED on the meter shows the built-in limiter catching peaks.
Quirks and notes
- The wireless option is not Bluetooth (verified): the DIGITAL WIRELESS USB socket accepts Behringer's optional ULM dongle for up to two wireless microphones routed to channels 1 and 2. Phone streaming still travels through your receiver into the RCA inputs.
- Three power amp personalities (verified): the POWER AMP switch selects main stereo, main plus monitor, or bridged mono. Bridged mode takes a single 2-pole cable on OUTPUT B pins 1+ and 2+ only, and the manual says not to connect anything to OUTPUT A in that mode.
- Four Hi-Z inputs on a mixer (verified): channels 1 to 4 double as guitar inputs at 1.8 megohms balanced, so an acoustic act can run instruments straight in beside the wireless channel.
- 9-band house EQ (verified): the dual graphic equalizer runs one-octave ISO bands at plus or minus 12 dB, paired with a 100 Hz low cut on the first six channels for windscreen-challenged vocals.
What you need
- Bluetooth receiver with RCA output, LDAC or aptX HD preferred
- RCA cable of a meter or two, receiver to mixer
- Speaker cable for the twist-lock outputs
- USB power for the receiver, a phone charger is fine
FAQ
Plug a Bluetooth receiver with RCA output into the 2-TRACK/LINE IN jacks of channels 13/14, set the gain range, then raise the main fader. The feed plays straight into the main mix without occupying any mic channel. No internal modification is needed.
No. The quick start guide describes no Bluetooth of any kind. The wireless option it mentions is the ULM microphone system, a dedicated USB dongle for up to two wireless mics on channels 1 and 2, which is a different thing from streaming phone audio.
The +48 V switch feeds the XLR jacks of channels 1 to 12 only. The RCA 2-track jacks on channels 13/14 sit outside that scope, so a wireless feed there is untouched by the phantom circuit.
The specifications list 500 watts per channel at 8 ohms and 1000 watts per channel at 4 ohms with both channels driven, or 2000 watts bridged into 8 ohms. The figures are rated independent of the limiters and driver protection circuits.
blafili B3 Bluetooth Music Receiver
RCA + XLR + optical out, LDAC and aptX HD, OLED status display. Plugs into the 2-track RCA inputs without adapters.
- Channel structure (9 x XLR mic inputs channels 1-12 at 1.5 kilohms, 4 x TRS Hi-Z/line channels 1-4 at 1.8 megohms, mono TRS channels 5-6, stereo TRS channels 7-12, 2-track RCA channels 13/14, 1/8 inch aux in), 2-TRACK/LINE OUT RCA, +48 V phantom scope (channels 1-12 XLR), PAD -25 dB on channels 1-6, 9-band graphic EQ, low cut 100 Hz on channels 1-6, Klark Teknik multi-FX with TAP and footswitch, POWER AMP switch modes (MAIN L/R, MONITOR/MONO, BRIDGE/BRIDGE via OUTPUT B pins 1+/2+), ULM wireless USB dongle input (max 2 mics), power amp specifications (500 W per channel at 8 ohms and 1000 W per channel at 4 ohms both driven, 2000 W bridged at 8 ohms, independent of limiters), twist-lock speaker outputs, minimum loads (4 ohms stereo, 8 ohms bridge), 9.0 kg, 276 x 455 x 250 mm: EUROPOWER PMP2000D Quick Start Guide, cdn-media.empowertribe.com/7338f9c1ff254e9b933c8c383e69e06d/QSG_BE_0601-AGZ_PMP2000D_WW.pdf, accessed 2026-10-02